Welcome to WebVee Guide, home of the the most followed webseries magazine. Take some time to explore our reviews, synopses, videos and podcasts. This week we'll continue our recap and coverage of VidCon 2015 and prep for the first ever KWebFest in Seoul, South Korea. Stay tuned, because we've got a ludicrous number of interviews headed your way!
She’s back. She’s still a badass, but this time she has a nemesis who may be her equal – or better. Moving on from Ed and Emily’s trading post in Broken Road, the nameless Drifter (Vanessa Leinani) can’t seem to move on from trouble in the Second Civil War world. […]
I’ve written before about my love of all things noir, but loving something doesn’t preclude one from being aware of its flaws. In fact, some might say that to truly love something, you must acknowledge what’s wrong with it. If that’s the case, then Dipu Bhattacharya and Tom Chamberlain are even bigger noir fans than I am. […]
Bernie Su is best known for being the executive producer and head writer of The Lizzie Bennet Diaries, a hugely successful web series which won the ‘Primetime Emmy Award for Outstanding Interactive Programme’. A modern day ‘vlogged’ adaptation of Jane Austen’s Pride and Prejudice, where he teamed up with the infamous Hank Green of Vlogbrothers. He also created Emma Approved and was the executive producer and Director of Welcome to Sanditon. […]
Structure is a key component to every script. It’s an organizational principle, a guide that helps your script – be it a movie, a TV show or a series — stay on track and not get lost in its own mess of storylines and plots. Some might say that they don’t want to tell, “generic Hollywood stories. […]
Web series are still in their infancy here in the UK and we are all waiting patiently to see the outcome of this new media revolution. Is it surprising then, to acknowledge a need to cross-breed this new medium with every other long-lasting and time tested method of storytelling? First it was television, with long-form web series testing the waters of online entertainment, but while TV is a monologue – platforms like YouTube continue to require a conversation. […]